SFREVU HAS ITS SAY

The new book's been reviewed on the SFRevu site. And they summed up as follows:

"Fans of Laurell K. Hamilton and the Sookie Stackhouse novels will thoroughly enjoy this enthralling and evocative novel. The irony of this exciting horror fantasy is that the good is represented by two non-practitioners (of magic). They are the last barrier against the growing supernatural power of the mists. This urban fantasy horror thriller will appeal to fans of differing sub-genres as a riveted audience will finish a Night of Demons in one sitting."

YES, I KNOW THE WAY TO SAN JOSE!

I'm recently back from this year's World Fantasy Convention in San Jose, CA (pictured). People who have never been to such an event always manage to ask the same question, namely: "Do you get a lot of people going around in costumes?" No, those are movie and TV conventions that you're thinking of. World Fantasy is mostly writers, editors, publishers and the like, and though we might be equally as crazy as those movie fans we hide it a little better and we don't dress up.

The plain fact is, I've been to more that my share of World Fantasies and World Horrors, and location apart they all have a tendency to blend into one seamless event these days. There are panel discussions and readings, a few of which I attend. And I read from my own latest novel, of course, and signed a load of stuff. But what really matters at any con are the people. The parties, the meals out, the chance encounters in the hotel bar. I always sum it up like this ... the real business of attending a convention is hooking up with excellent old friends and making excellent new ones. In my case, those in the latter category have become rather too numerous to mention, although I will mention Chris Roberson and his wife Alison, John Skipp, Cody Goodfellow, and Barbara and Chris Roden of Ash-Tree Press. New acquaintances this time around included debut author John Langan, Doug Cohen from Realms of Fantasy magazine, Ellen Kushner, Brent Weeks, the excellent Jeffrey Ford, who went on to win two World Fantasy Awards, Travis Heermann -- who'll be running an interview with me on his blog soon -- and not least Michael Shea, author of one of my favourite short novels, 'The Color out of Time.' It was a delight to meet them all, and thoroughly worth the eleven hour flight. And believe me, those last six words do not come at all easily.

Robert Morrish, former editor of Cemetery Dance magazine, now writes a column called 'Spotlight on Publishing' for that same publication. And in the current issue, he has some very nice things to say about one of my short story collections from last year, Passport to Purgatory.

And on Fandomania, you can now read an interview conducted between myself and Kelly Melcher, the same smart individual who gave Night of Demons such a glowing review last week.

DEMONS ON YOUR DOORSTEP

At long last, Night of Demons -- the second installment in the Raine's Landing saga -- is on its way to the stores and other outlets. That comes as a huge relief so far as I'm concerned. There always seems to be a horribly long, exasperating wait between reading through the galley proofs -- which look pretty much like a finished book without the cover -- and seeing the completed thing. Frustrating. Like being nibbled to death by mice, as Harlan Ellison once said.

But anyway, the novel will soon be available in all good stores, through sites like Amazon, and through the Doubleday and Science Fiction Book Clubs. Or you can order a copy right here.

A quick Raine's Landing factlet, by the way. When I first started on this second book, the working title was 'Shadow Town.' And when I told my editor, Diana Gill, that I was dropping it she was a little disappointed, since she liked it. It is good and -- who knows -- one day I might get around to using that pairing of words for another novel. But until that day comes, it's all about the demons.

JUDGING A BOOK

'You can't judge a book by its cover' goes the saying. But the plain fact is that people in bookstores do. Research shows that the majority reason (about 90%) why browsers even pick up books they're unfamiliar with is that the cover attracts them. Cover art and layout, therefore, are much bigger deals than most people suppose.

Which makes what follows rather interesting. Night of Demons, weeks before its launch, has picked up yet another good, enthusiastic review, this time by Kelly Melcher on the website Fandomania. And Kelly starts like this:

"While the saying goes 'one should never judge a book by its cover,' that is an excellent place to start here. It easily sets the mood, and really grabbed my interest. The mood? Dark and ominous. I know I don't normally comment on covers, but this one just caught my eye from the moment I opened the package it came in and tempted me to read just based on the artwork alone."

It would appear artist Don Sipley mixes a little magic with his paints, and that is very good to hear. And Kelly also goes on to say, "The pace was excellent. There was enough action to keep turning the pages and waiting to see what comes next." She liked the book inside and out, then.

FIENDS RE-UNITED

Way back at the very start of my writing career, one of the very earliest stories that I sold was a straight horror tale, set in Canada and called Child of Ice. It was bought by an editor called Herbert van Thal for an anthology series called The Pan Books of Horror. The tale saw print after a while, and I was glad to see it out. But other than that, I merely took note that one of the other contributors was a certain Ian McEwan -- impressive! -- and then pocketed my £40 and went on my merry way. How was I to know that, years later, the series would come to be regarded as a classic with a huge cult following.

And now all that is being drawn together by man-about-horror Johnny Mains, who is bringing out a book on the subject, has compiled a massive website, and has several other projects on the go into the bargain. One of which is BACK FROM THE DEAD: The Legacy of the Pan Book of Horror Stories. It's an anthology which brings back together some of the best contributors to PBoH. They provide new stories where they can, and where they can't one of their old-time classics is included. There's to be a Forward by Shaun Hutson, an introduction by David A. Sutton. Oh yes, and there's a brand-new tale of terror by yours truly on the contents list.

BACK FROM THE DEAD will come out from Johnny's own publishing company, Noose & Gibbet, and will be released -- you guessed it -- just in time for World Horror in Brighton. And the cover appears here by the man's kind permission.

OTHER TALES

Most of my time is centred on the Raine's Landing novels these days. But they're not the only thing I do, nor the only books that I see published. Take a look at my bibliography, and you'll realise that I've written a sizeable number of short stories down the years. And the number one publisher of collections of those in the U.S. these days is the very excellent Dark Regions Press, who turn out great looking and reasonably-priced books and have a catalogue of fine authors that is continually expanding.

They've already released one bumper-sized collection of my work, Shadows and Other Tales, which was extremely well received. Peter Tennant at the great British horror mag Black Static said of it "For the sheer pleasure of reading a story by a master of the art, Shadows and Other Tales is hard to beat." While Trevor Denyer of the highly-regarded indy journal Midnight Street added "Shadows is more than worth the entrance fee and the journey. Highly recommended."

And now I'm in discussion with editor Joe Morey about publishing two more collections of my work. I'll let you have the details just as soon as they're ironed out.

BITES OF THE APPLE

Louise and I are recently back from a flying three-night visit to NYC. The occasion? The wedding of Louise's 'baby' cousin, Samantha, now in her early forties and a trainee cardiologist. A whole load of other members of the clan flew in from Toronto with their friends, and it was great to see them. Sam and her charming partner Jeremy live in the West Village, just about my favourite section of Manhattan, and the whole shindig took place there. The ceremony was on Charles, and then we went on to the Perry Street restaurant on the corner of Perry and West, right next to the river and with beautiful views of the Hudson. The terrific lunch we had there didn't stop a bunch of us from heading across to Mulberry Street that evening for some pasta.

Which meant that when Diana Gill, my editor at Eos, took me out to Papillon on 54th for another lunch the next day, I wasn't exactly hungry. It's always a pleasure to see her, though, and I finally got taken around the HarperCollins offices and met her assistant Will Hinton and the publicist assigned to me, Greg Shutack. Worth the trip.